Lakeside Chautauqua and Marblehead on Lake Erie

40 Chicago Grids!

Went to Chicago last week… Everything’s a grid.

Amo in bianco e nero della televisione italiana degli anni ’70!

…in which I celebrate the 4th of July by watching a bunch of Italian television from before the Bicentennial.

A few years ago, when YouTube was just getting going, one of the first viral videos that really stuck with me was a performance of Andriano Celentano’s Prisencolinensinainciusol. It appealed to me on two levels. First was the song itself, done by the Italian singer in order to mimic how American-accented English sounds to people who don’t understand English. So while the song is complete and utter gibberish, it actually sounds like words. Also, many credit Prisencolinensinainciusol with being one of the first popular rap songs to become a hit.

But what has really stuck with me about that viral video was the actual video itself. Even though it was from 1974, it was in glorious black and white:

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Let Me See My Lights [Christmas Throwback]

[Two years ago, I devoted a Tumblr called $1.98 Advent Calendar from the C-Town to the cause of taking the Baby Jesus on adventures thru the City… plus what was going on back at the mangerplus what candy I got that day… You should check it out.  In addition to these regular features, which will remain there, I am moving a few longer essays over to this site for safe-keeping]

I hung up my Christmas lights the other night.  I spent three hours on a stepladder stringing a mere 75 lights from 8 hooks above my windows.  Most of that time was spent calculating the proper amount of randomness to the lights which would create the most pleasing effect.

I don’t care that the wire shows horribly to the outside world.  Don’t get me wrong… I teared up when the woman who lives in the YMCA up the street said she looks forward to them each year. But, they’re for me.  I mean, look at that pleasing glow.  It is so damned festive in my living room right now, it’s lit like a small-town gay bar with a name like Secrets or Reflections II

Why shouldn’t I be able to see my own Christmas lights?  I paid for them.  I slogged them home on a crowded F train from that fancy Home Depot on 23rd.  And I had to put on pants to hang them because I was in the front window.  So, I get to enjoy them.  It is one of the great joys of Christmas for me.  Actual lights in the apartment would be kinda sad, especially since I don’t really go in for trees because of space concerns and a mild pine allergy.  They would just sort of limply hang there, and I would have to look at them in the daylight.  A string of Christmas lights is only happy around 40% of the time; the rest is bare wire.  But put them on the other side of those nasty sheers that came with the apt, and you have an other-worldly glow that speaks to the ancient mysteries of Yule.

I learned this trick from my dad.

When we moved into the place on Deeside off the 16th tee, my dad quickly grew to appreciate the view from his easy chair through the two stories of glass, over the yard, and down the short rough that separated the backyards from the par four 16th.  It was a well-earned view to have from one’s easy chair.  At Christmastime, we would put up the lights in the front of the house on the bushes that framed the windows of rooms we never used.  These lights were, of course, white because everyone tsk-tsk’ed at the one house that put up colored lights.  One just didn’t use colored lights in Muirfield.  We would flip them on, and the empty living room would be a tiny bit less dark.  We still didn’t go in there.

But my dad had me pick up a few extra colored strands when we got yet more lights for the tree, which during these Deeside years was an exercise in stupid giganticism.  As I was finishing up the white lights, he motioned me over and handed me boxes of colored lights.  “Put these in the trees in the backyard.”

“I’m not sure I can reach the branches even with the ladder.”

“Then just throw them.”

“Then they’re just gonna hang there.”

“Good.  They don’t have to be symmetrical.  They just gotta be there.”

He then went on to explain how when he sat in his easy chair, he wanted to be able to just turn his head a few degrees and see twinkling lights.  He made a “twinkling” gesture with his fingers on both hands.

“What about the big Christmas tree?  Can’t you just look at that?”

“I have to turn my head this far…”  He twisted his head back about 105 degrees.  I shouldn’t have to do that to see my own twinkling lights.”  Fair enough.  After all, the man got a view like this because of his well-honed sense of efficiency.

“Well, the lights from the tree reflect.”  I had figured that the most efficient thing was for me to get back inside having done no more work.

“They’ll be a bonus.  You’re telling me you can’t throw something in a tree for me?”

It took over an hour for me to throw three strands of lights into a tree in a pleasingly random arrangement while he directed me from the safety of the inside.

But he was right.  When you sat in that easy chair, barely moving your head, you felt like the king of Christmas.

Five existential horrors found in this Halloween picture…

1971, Long Island, Exit 50

1971, Long Island, Exit 50

#1)

That is not a Road Runner costume; that is a THE Road Runner costume. At this point in his life, the boy is waking up at 7am in order to make sure he is in position for The Bugs Bunny Show to start at 9am. He knows what Road Runner looks like, and he has a yellow beak. This THE Road Runner looks like a radish. “It’s says ‘Road Runner,’” says anyone who will listen. Even if one buys the argument, Mom, that there are probably lots of different road runners, the use of the definite article, THE, implies that this road runner on the boy’s blouse is Road Runner from the cartoons he watches. It is not.

All interaction is deceit.

#2)

The blouse itself… Even if it was Road Runner, which it’s not, there’s no way Road Runner would wear a satiny blouse proclaiming he was THE Road Runner. As it was once said by those far more learned than the boy: “Disco Stu doesn’t advertise.” A five year old shouldn’t have to worry that his costume is too meta. “Trick or Treat. Smell my feet. My costume is dialog about the nature of the signifier.” Besides, Road Runner is naked, free, and fast. THE Road Runner pictured on this blouse doesn’t even have a body to be naked with. Again, he is a radish.

Culture is a ravenous ouroboros that feeds off the assimilationist dreams of children.

#3)

When were these pumpkins carved? Labor Day? This child has not yet learned to delay gratification. Now all is decay. The child wonders, “How long before my teeth rot and fall out and I die?” Culture gives him candy as an answer. The candy is called Life Savers. The boy clutches them because he is pretty confident he understands irony.

Entropy will eventually rend asunder even the bonds between the molecules in your face.

#4)

The price tag is still on the big pumpkin.

All joy is commodity.

#5)

The flash of the camera’s un-blinking eye also illuminates the back inside wall of each pumpkin, giving each gourd a two-dimensionality that masks the trauma they underwent weeks before. They scream, but no one hears. They are now just images of pumpkins, trapped in a chilling rictus. A child can only ape their frozen grins as he, too, has been flattened by the gaze. Also, his hair looks stupid, and it will look stupid forever.

Guy DuBooooo-ord put it best: “…Imprisoned in a flattened universe bounded by the screen of the spectacle, behind which his own life has been exiled, the spectator’s consciousness no longer knows anyone but the fictitious interlocutors who subject him to a one-way monologue about their commodities and the politics of their commodities. The spectacle as a whole is his “mirror sign,” presenting illusory escapes from a universal autism.”