
Look Comrade! I’m speaking! I’m speaking!
Last month I finally got up the nerve to get up in front of actual, non-cat, people and tell a story. I went down to a function called Speak Easy, got up on stage, and told a story about a closet case me stumbling into a donkey show at a cinder-block brothel a few miles outside of Ciudad Acuña, MX in 1991. People seemed to find listening to my Psychosexual Corn Maze™ somewhat amusing. And, really, what more can you ask for?
A day later I was on the phone with my ex-fiancée and part-time muse Lynda. After the requisite convo about politics and cats and the politics of cats, I told her about my experience.
“I like it. It’s an other-directed activity, but it’s still all about me.”
“I don’t think you understand what is meant by ‘other-directed,” said Lynda.
Normally, I concede all matters of semantics to Lynda because she is so much brain-having. However, I think I’m right. Storytelling is too other-directed. For five minutes or so last Thursday I took a break from skating on the Möbius Strip that passes for my psyche and interacted with people in a manner that didn’t involve me standing off to the side with my arms akimbo at them.
[Actually, my arms moved way too much; I need to work on that.]
For the first time since I moved to Columbus, I actually felt like I was doing “something.” I was putting something out into the world instead of reacting to things. I did something concrete, and people did something concrete in return. Continue reading
That would not do. I flipped the pouch over. Now folks coming through the front door of Luck Brothers Coffee can see the blue of the pouch highlighted against the black of the café table. This is by design. When the eye is fully adjusted to darkness, blue stands out against a black background more than any other color. This is why railroad signals and those little reflectors people in the country use to mark their driveways are blue. Yes, it’s bright sunny out today, and everyone’s eyes are adjusting in the opposite direction, but if someone does ask me about the pouch I can tell them all about blue reflectors. And they will say, “Wow! You certainly do belong on Jeopardy!”
The ball veered left. It went into the gutter. Less than halfway down the lane. The bowler turns around for the sad Charlie Brown shuffle back the little step at the beginning of the approach. Those strips of wood are so narrow; why don’t they use wider strips, or even narrower strips? He makes it all the way to the little fan. Can he pretend to dry his hands long enough for the ball to return without looking up and seeing the disappointed looks on his teammates’ faces?